About me
I’m a surface pattern designer and illustrator based in Ipswich, UK, creating original patterns for brands, products and creative projects.
I’ve always loved patterns, fabrics and beautiful little details, but my route into surface pattern design wasn’t exactly straightforward.
Before focusing on surface pattern design, I ran my own fabric shop - Lilly and Mimi Fabric Shop - importing fabrics, working with suppliers and helping customers choose prints for their projects. I even printed some of my own designs.
Running a fabric business taught me something I still carry into my work today: a pattern has to work as more than just a pretty image on a screen. Scale, colour, repeat, detail and the way a design translates onto a real product all matter.
How I work
I like to keep the creative process open and experimental, but I also have a practical eye for how artwork needs to work commercially.
Whether I’m developing a new collection, adapting an existing pattern or creating something specifically for a client, I pay close attention to the details while keeping the bigger picture in mind.
My work is available for licensing, and I also take on custom pattern and illustration projects for brands looking for original artwork created around their needs.
A few things about me
I’m happiest when I’m surrounded by sketchbooks, art supplies, too many houseplants and a decent cup of coffee.
I’m also a typography student, a sometimes-runner, a former fabric shop owner and a proud mum. I like old things, good lettering, interesting packaging and finding inspiration in places that probably weren't supposed to become design research.
I’m still building, still learning and still making things I genuinely love.
If you’re looking for original patterns or artwork for your brand, I’d love to hear what you’re working on.
Explore my portfolio or get in touch about licensing and custom work.
My Approach
Years of Practice
With 2000+ original patterns and four Spoonflower Design Challenge award-winning designs, I've had plenty of opportunities to experiment, refine my approach and develop my eye for pattern.
Real-World Experience
My years of running a fabric shop gave me a practical understanding of fabrics, products and the details that matter when artwork moves from the screen into the real world.
Designed to Work
Whether I’m developing a collection from scratch or working with an existing design, I pay attention to the details while keeping the bigger picture in mind. I want the artwork to look beautiful, but also work as something a brand can actually use.